They arrived in Europe as child refugees fleeing civil war and are now
running one of France’s coolest fashion labels. But the young Georgian
brothers behind the hip brand Vêtements, whose new collection hits the
Paris catwalk Thursday, have still bigger plans — to
revolutionise the way the fashion business works.
Designer Demna Gvasalia, 34, newly installed at the head of Balenciaga, is such
a hyped talent that the rapper-turned-designer Kanye West last week threatened
to poach him. “I’m going to steal Demna from Balenciaga,” he tweeted. But
days before Gvasalia unveiled his first collection for the venerable label
so loved by Jackie Kennedy, his younger brother Guram, 30, who runs
Vetements’ business side, said their maverick way of working could be a
model for the rest.
With the industry increasingly torn by a row over whether collections should
go on sale as soon as they hit the catwalks, Guram Gvasalia told AFP that
fashion needs to go still further and rethink itself to embrace rarity and
luxury.
Vêtements produces only two collections a year, he said, while the big houses
produce six to eight which means clothes are only in the shops for a matter
of weeks before the price is slashed in the sales. “The industry is
overproducing. If something goes on sale, it means it was overproduced.
“In order to make people want something, you need to make scarcity. The real
definition of luxury is something that is scarce,” he added. “Every single
piece in our collection is going to be a limited item… We don’t restock
and we don’t reproduce — if it’s sold out, it’s sold out.”
Vêtements — which simply means “clothes” in French — began as a collective
of seven anonymous designers who also worked elsewhere until Demna Gvasalia
stepped out of the shadows.
It made its name with oversized streetwear, cleverly juxtaposing cheap
materials
and luxury looks, with Gvasalia claiming his principle inspiration was
riding the Metro through one of the roughest stretches of the French
capital. Yet his brother said the pressure to turn out so many collections
was also impacting on creativity.
A photo posted by VETEMENTS (@vetements_official) on
Mar 1, 2016 at
5:30am PST“Designers are human beings. Creative people need time… The big groups, they
don’t care about this. They take a designer… (and) the corporate machine
eats them up and spits them out. And then, there’s a new one. “Of course I
care for my brother, he’s a very creative person but it’s a
lot a pressure, and I don’t want to force him to do four collections for
us, on top of his collections for Balenciaga,” Guram Gvasalia added.Instead he said he wanted to see only two shows a year, with Paris
fashion weeks
moved from March to January and to September to June. “I want to have the
solution that is not only just good for me, I want to have the solution
that is good for every single brand that shows,” he said.As a part of this radical change, Vetements are already combining men
and women’s
wear in their latest show. “Today there are no genders anymore,” claimed
Gvasalia, who grew up with
his brother in Germany after fleeing their homeland as civil war raged in
the early 1990s.“Today you can choose what you want to be. The clothes have the gender, not the
people who wear them.” France and Italy’s fashion federations are doggedly
resisting American
attempts to reorganise the catwalk calendar so the public can buy clothes
as soon as they hit the catwalks.Instead of the autumn-winter shows taking place in the spring as happens now,
New York wants them to be staged “in season” at the beginning of each autumn,
with spring-summer collections following suit. But Gvasalia said the row
over the switch to a “see now, buy now” system is
only part of the problem.“With Demna, we’ve been through war, we’ve been through so many things in life,
we saw really bad things. And once you’ve seen bad things, the fashion industry
is (about) having fun. You start to appreciate life differently,” he said. Life
as a refugee and their mixed background has taught them to think in a different
way.“We are a mix of eight nationalities and three religions: we have a grandmother
who is Jewish, a grandfather who is Muslim, and a father who is Christian.
When someone asks me where my home is I cannot really say,” Gvasalia said.
(Anne-Laure Mondesert, AFP)